Open Season

  • Directors: Roger Allers, Jill Culton, Anthony Stacchi
  • Producers: Producer, Michelle Murdocca, Co Producer, Amy Jupiter, Executive Producer, Steve Moore and John B Carls
  • Writers: Steve Bencich, Ron J Friedman
  • Genres: Animation, Adventure, Comedy, Family
  • Actors: Martin Lawrence, Ashton Kutcher, Debra Messing, Gary Sinise, Jon Favreau, Matthew W Taylor, Jane Krakowski, Billy Connolly, Georgia Engel, Patrick Warburton

In the tranquil town of Timberline, a 900 pound grizzly bear named Boog (Martin Lawrence) enjoys a captive existence. He spends his day as the star attraction of the town’s nature show and spends his nights living the life of luxury in the garage of park ranger Beth (Debra Messing) who raised him since he was a cub in a poor captive state.

One day, maniacal hunter Shaw (Gary Sinise) drives into town with the one-antlered mule deer Elliot (Ashton Kutcher) strapped to the hood of his truck. Boog wakes him as the two scream in terror. With Boog reluctant to intervene, Elliot begs to for help to escape. At the last minute and against his better judgment, Boog frees Elliot before Shaw could go after him. Boog never expects to see his “buddy” again.

Elliot follows Boog home and finds him sleeping in the garage and starts to throw rabbits at the window. Elliot tells Boog the he is intent on returning the favor by “freeing” him from his garage captivity. Elliot introduces Boog to a world of sweet temptations outside of the garage that he has never known. When the grizzly’s true instincts begin to emerge, events quickly spiral out of control as the two ransack the town’s food store. Elliot escapes before Boog is caught by a friend of Beth, police officer Gordy (Gordon Tootoosis).

The following day, Boog leads a rampage against the hunters, sending them running after McSquizzy blows up their trucks. Shaw returns for a final battle. Elliot takes a bullet meant for Boog, enraging the bear who ties up Shaw with his own gun. Boog finds that Elliot survived the blast, only losing his second antler in the fight. Beth returns to take Boog back home, but instead he stays with his friends. She realizes that the bear is home in the forest.

Monsters Inc

  • Directors: Peter Docter, Co Director, Lee Unkrich, David Silverman
  • Producers: Darla K Anderson, Executive Producer, John Lasseter, Andrew Stanton, Associate Producer, Kori Rae
  • Writers: Story, Jill Culton, Peter Docter, Ralph Eggleston, Jeff Pidgeon, Screenplay, Andrew Stanton, Daniel Gerson, Additional Screenplay, Robert L Baird, Rhett Reese, Jonathan Roberts
  • Genres: Animation, Comedy, Family, Fantasy
  • Actors: John Goodman, Billy Crystal, Steve Buscemi, James Coburn, Jennifer Tilly

Monsters, Inc. is the city of Monstropolis’ power company. Monsters, Inc. sends its many monster employees, skilled in scare techniques, to human children’s bedrooms around the world at their local bedtime to scare them, through individually-loaded and activated teleportation doors set up on the “scare floor”, each of which precisely matches a closet door in the individual child’s bedroom. The screams of the suddenly-awakened tots, captured through the portals, generate electric power for the monster world. It is understood, however, that the children themselves are toxic, and the company goes to great lengths to prevent contact with them; should a monster be touched by a child, or simply their belongings, the Child Detection Agency (CDA) is immediately alerted to sanitize the affected being. With increasing numbers of children becoming desensitized by mass media, Monsters, Inc. CEO Henry J. Waternoose is finding it increasingly difficult to harvest enough scream to meet the power demands of Monstropolis, as their energy crisis looms.

One evening, James P. Sullivan (“Sulley”), Monsters, Inc.’s top scarer, finds a loaded door on the scare floor after hours – in violation of policy. Peering inside, the child’s room appears empty, but Sulley finds to his horror that a human girl has followed him through the door, thinking him to be a giant kitty. Terrified of contamination, he tries to return her, but is forced to hide when Randall Boggs, a competitive co-scarer, emerges from the child’s room and surreptitiously returns her door to an unseen door vault. Sulley quickly hides the child and gets hold of his work-partner and pal Mike Wazowski, to figure out the situation. Together at Sulley’s home, they discover that being touched by the child is not harmful at all, and that when she laughs, surrounding electrical power surges to unusually high levels. Sulley nicknames the child “Boo” and becomes her caretaker until they can get her back home.

Near the end of the credits, it humorously states: “No monsters were used in the making of this film.”