- Directors: Alfred Hitchcock
- Producers: David O Selznick
- Writers: Story, Hilary Saint George Saunders, John Palmer, Screenplay, Angus MacPhail, Ben Hecht
- Genres: Mystery, Romance, Thriller
- Actors: Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G Carroll, Rhonda Fleming
But in Ourselves…
The film opens with Shakespeare’s proverb, and words on the screen announcing that its purpose is to highlight the virtues of psychoanalysis in banishing mental illness and restoring reason.
Dr. Constance Peterson (Ingrid Bergman) is a psychoanalyst at Green Manors, a mental hospital in Vermont, and is perceived by the other (male) doctors as detached and emotionless. The director of the hospital, Dr. Murchison (Leo G. Carroll), is being forced into retirement, shortly after returning from an absence due to nervous exhaustion. His replacement is the much younger Dr. Anthony Edwardes (Gregory Peck).
Dr. Peterson notices that there is something strange about Dr. Edwardes. He has a peculiar phobia about seeing sets of parallel lines against a white background, first displayed in an inappropriate reaction to seeing a diagram drawn with the tines of a fork on a tablecloth.
Dr. Peterson soon realizes, by comparing handwriting, that this man is an impostor and not the real Dr. Edwardes. He confides to her that he killed Dr. Edwardes and took his place. He suffers from massive amnesia and does not know who he is. Dr. Peterson believes that he is innocent and suffering from a guilt complex.
‘Dr. Edwardes’ disappears during the night, having left a note for Dr. Peterson that he is going to New York City.
A heartbroken Dr. Peterson returns to her position at the hospital, where Dr. Murchison is once again the director. After reconsidering her notes from the dream, she realizes that the ‘wheel’ was a revolver and that the man hiding behind the chimney and dropping the wheel was Dr. Murchison hiding behind a tree, shooting Dr. Edwardes and dropping the gun. She confronts Murchison with this and he confesses, but says that he didn’t drop the gun; he still has it. He pulls it out of his desk and threatens to shoot her. She walks away, the gun still pointed at her, and explains that while the first murder carried extenuating circumstances of his own mental state, murdering her as well surely would result in the electric chair. He allows her to leave and turns the gun on himself. Dr. Peterson is then reunited with Ballantyne.
- Directors: Alfred Hitchcock
- Producers: Alfred Hitchcock
- Writers: Ben Hecht
- Genres: Drama, Film-Noir, Romance, Thriller
- Actors: Ingrid Bergman, Cary Grant, Claude Rains
Alicia Huberman (Ingrid Bergman), the American daughter of a convicted Nazi spy, is recruited by government agent T. R. Devlin (Cary Grant) to infiltrate a group of Germans who have relocated to Brazil after World War II.
While awaiting the details of her assignment in Rio de Janeiro, Alicia falls in love with Devlin. His feelings for her are complicated by his knowledge of her wild past. When Devlin is ordered to convince her to seduce Alex Sebastian (Claude Rains), one of her father’s friends and a member of the group, Devlin tries to convince his superiors that Alicia is not fit for the job. But upon seeing Alicia again, he puts up a stoic front, choosing duty over love. Alicia concludes that he does not love her, and she soon marries Alex to better spy on him and his associates.
Alicia and Devlin discover the key element of the plot by accident, but in the process leave a clue that her husband traces back to her. Now Alex has a problem: he must silence Alicia, but cannot expose her without being discredited by his fellow Nazis. Alex discusses the situation with his mother (Leopoldine Konstantin), who suggests that Alicia “die slowly” by poisoning. The poison is initially mixed into Alicia’s coffee, and she quickly falls ill. Devlin becomes alarmed when she fails to appear at their next rendezvous. After driving to Sebastian’s house, he sneaks into Alicia’s quarters, where she tells him that Alex and his mother are poisoning her. After confessing his love for her, Devlin carries her out of the mansion in full view of the conspirators. Alex privately begs to go with them, but they abandon him to the non-existent mercy of the Nazis, who had previously disposed of another co-conspirator for a far lesser indiscretion.
- Directors: Michael Curtiz
- Producers: Hal B Wallis
- Writers: Play, Murray Burnett, Joan Alison, Screenplay, Julius J Epstein, Philip G Epstein, Howard Koch, Casey Robinson
- Genres: Drama
- Actors: Humphrey Bogart, Ingrid Bergman, Paul Henreid
Rick Blaine (Humphrey Bogart) is a bitter, cynical American expatriate in Casablanca. He owns and runs “Rick’s CafГ© AmГ©ricain”, an upscale nightclub and gambling den that attracts a mixed clientГЁle of Vichy French and Nazi officials, refugees and thieves. Although Rick professes to be neutral in all matters, it is later revealed that he had run guns to Ethiopia to combat the 1935 Italian invasion, and fought on the Republican side in the Spanish Civil War against Francisco Franco’s Nationalists.
Ugarte (Peter Lorre), a petty criminal, arrives in Rick’s club with “letters of transit” obtained through the murder of two German couriers. The papers allow the bearer to travel freely around German-controlled Europe and to neutral Portugal, and from there to America. The letters are almost priceless to any of the continual stream of refugees who end up stranded in Casablanca. Ugarte plans to make his fortune by selling them to the highest bidder, who is due to arrive at the club later that night. However, before the exchange can take place, Ugarte is arrested by the local police, under the command of Captain Louis Renault (Claude Rains), a corrupt opportunist who later says of himself, “I have no convictions … I blow with the wind, and the prevailing wind happens to be from Vichy.” Unbeknownst to Renault and the Nazis, Ugarte had entrusted the letters to Rick because “… somehow, just because you despise me, you are the only one I trust.” (Ugarte dies in police custody without revealing the location of the letters.)
Major Strasser drives up by himself, having been tipped off by Renault, but Rick shoots him when he tries to intervene. When police reinforcements arrive, Renault pauses, then tells his men to “Round up the usual suspects.” Once they are alone, Renault suggests to Rick that they leave Casablanca and join the Free French at Brazzaville. They walk off into the fog with one of the most memorable exit lines in movie history: “Louis, I think this is the beginning of a beautiful friendship.”