To Catch a Thief

  • Directors: Alfred Hitchcock
  • Producers: Alfred Hitchcock
  • Writers: John Michael Hayes, David F Dodge
  • Genres: Crime, Mystery, Romance, Thriller
  • Actors: Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams, Charles Vanel, Brigitte Auber

John Robie (Cary Grant) is a notorious but retired jewel thief or “cat burglar,” nicknamed “The Cat,” who now tends to his vineyards in the French Riviera. A series of robberies that closely resemble his in style leads the police to believe that the Cat is up to his old tricks again. They come to arrest him, and he adeptly gives them the slip.

He immediately seeks refuge with his old gang from his days in the French Resistance, a group of ex-cons whose patriotic work led to grants of parole that depend on them keeping their noses clean. Bertani, Foussard, and the others are all under a cloud while the Cat is at large, and they blame Robie. Still, when the police arrive at Bertani’s restaurant, Foussard’s daughter Danielle (Brigitte Auber) spirits her old flame to safety.

Robie enlists the aid of an insurance man of Bertani’s acquaintance, H. H. Hughson (John Williams), in order to prove his innocence. Robie’s plan is to catch the new cat burglar in the act. To do this, he obtains a list of the most expensive jewels on the Riviera from the reluctant Hughson. The first names on the list are Jessie Stevens (Jessie Royce Landis) and her daughter Francie (Grace Kelly). Robie strikes up acquaintance with them — something met with delight by Jessie, a pretense of modesty with Francie, and claws-baring jealousy from Danielle.

Robie speeds back to his vineyard and Francie races after to convince him that he does need her in his life. He agrees, but seems less than thrilled about including her mother.

Rear Window

  • Directors: Alfred Hitchcock
  • Producers: Alfred Hitchcock
  • Writers: Cornell Woolrich, John Michael Hayes
  • Genres: Crime, Drama, Mystery, Romance, Thriller
  • Actors: James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, Raymond Burr

Photographer L. B. “Jeff” Jeffries (James Stewart) is recuperating from a broken leg and confined to a wheelchair in his small Greenwich Village apartment. He passes the time by spying on his neighbors through his apartment’s rear window, including a dancer who exercises in her underwear, a lonely woman who lives by herself, a songwriter working at his piano (Ross Bagdasarian), and several married couples, including a salesman, Lars Thorwald, (Raymond Burr) with a bedridden wife.

Every day Jeff is visited by Stella (Thelma Ritter), a cranky but friendly home care nurse and Lisa Fremont (Grace Kelly), his much-younger socialite girlfriend. Lisa is madly in love with Jeff, who returns her feelings but also believes that their lifestyles are incompatible. He talks to both Lisa and Stella about his neighbors. After the salesman makes repeated late-night trips carrying a large case, Jeff notices that the bedridden wife is now gone, and sees the salesman cleaning a large knife and handsaw. Later, the salesman ties a large packing crate with heavy rope, and has moving men haul it away. By now, Jeff, Stella, and Lisa have concluded the missing wife has been murdered by the salesman.

An old Army Air Corps buddy of Jeff named Tom Doyle (Wendell Corey) is now a police detective. He looks into the situation and finds that Mrs. Thorwald is in the country, has sent a postcard to her husband, and the packing crate they had seen was full of her clothes. Chastised, they all admit to feeling a bit ghoulish at being disappointed to find out there was not a murder. Jeff and Lisa settle down for an evening alone, but a scream soon pierces the courtyard when a dog belonging to a neighbor couple is found dead with its neck broken. The neighbors all rush to their windows to see what has happened, except for Thorwald, who sits unmoving in his dark apartment, the tip of his cigarette glowing.

A few days later the heat has lifted, and Jeff rests peacefully in his wheelchair; now with two broken legs from the fall. Lisa reclines happily beside him, appearing to read a book on Himalayan travel but turning, after Jeff is asleep, to a new issue of Harpers Bazaar, a fashion magazine.

Dial M for Murder

  • Directors: Alfred Hitchcock
  • Producers: Associate producer, William Hill, Uncredited, Alfred Hitchcock
  • Writers: Stage play amp screenplay, Frederick Knott
  • Genres: Crime, Mystery, Thriller
  • Actors: Ray Milland, Grace Kelly, Robert Cummings, John Williams, Anthony Dawson

Tony Wendice (Ray Milland) is a former tennis player who married Margot (Grace Kelly) partly for her money. To please his wife, he has given up tennis and now sells sports equipment. Margot once had a relationship with Mark Halliday (Robert Cummings), an American crime novelist, but broke it off when Mark went to the U.S. for a year. In time, they stopped writing to each other.

Tony and Margot have made their wills, naming each other as beneficiary. For a year, Tony meticulously plans Margot’s murder. She has no idea that Tony knows of her love for Mark. He has gone to great lengths to steal a handbag containing one of Mark’s letters, and even assumed the role of an anonymous Brixton-based blackmailer to find out whether she would pay to have it back. (She did, but he asked for only ВЈ50.) He even watched them having a little farewell party (eating spaghetti with mushrooms) in Mark’s studio flat in Chelsea.

Tony slyly withdraws small amounts of money for a year, collecting ВЈ1,000 in (used) one-pound notes, with which he plans to pay a contract killer. He singles out the perfect man to do the job: C. A. Swann (Anthony Dawson), who now calls himself “Captain Lesgate”, a former acquantaince who has embarked on a life of petty crime since even before leaving Cambridge where he and Tony were both students. By following him and finding out about his past and associations, Tony soon gets enough to blackmail Swann into murdering his wife.

Tony enters the room to find Margot and the inspector, and Mark too. He realizes he’s been found out and congratulates the inspector. He then offers everyone a drink, acting very casual, as tears begin to stream down his wife’s face. The last scene is of the inspector, acting in a manner that shows he’s proud of himself, as he combs his mustache.

High Noon

  • Directors: Fred Zinnemann
  • Producers: Stanley Kramer, Carl Foreman
  • Writers: John W Cunningham, Carl Foreman
  • Genres: Drama, Western
  • Actors: Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Grace Kelly

Will Kane (Gary Cooper), the longtime Marshal of Hadleyville, New Mexico Territory, has just married pacifist Quaker Amy (Grace Kelly), turned in his badge, and is preparing to move away to become a storekeeper. Soon after, the town learns that Frank Miller (Ian MacDonald), a criminal Kane brought to justice, is due to arrive on the noon train. Miller had been sentenced to the gallows, but was pardoned for reasons never stated in the film. In court, he had vowed to get revenge on Kane and anyone who got in his way. His three gang members wait for him at the station. The worried townspeople encourage Kane to leave, hoping to defuse the situation.

Kane and his wife leave, but Kane has a crisis of conscience and turns back. He reclaims his badge and tries to swear in help, but it becomes clear that no one is willing to get involved. His deputy, Harvey Pell (Lloyd Bridges), resigns. Only his former lover, Helen RamГ­rez (Katy Jurado), supports him, but there is little she can do to help. Disgusted, she sells her business and prepares to leave town. His wife threatens to leave on the noon train with or without him, but he stubbornly refuses to give in.

In the end, Kane faces the four gunmen alone. He guns down two of Miller’s men, though he himself is wounded. Helen Ramirez and Amy both board the train, but Amy gets off when she hears the sound of gunfire. Amy chooses her husband’s life over her religious beliefs and kills the third gunman by shooting him in the back. Miller then takes her hostage and offers to trade her for Kane. Kane agrees, coming out into the open. Amy, however, claws Miller’s face, causing him to release her. Kane then shoots and kills him. Then, as the cowardly townspeople emerge, Kane contemptuously throws his marshal’s star in the dirt and leaves town with his wife.