Angel Face

  • Directors: Otto Preminger
  • Producers: Otto Preminger
  • Writers: Story, Chester Erskine, Screenplay, Ben Hecht, Oscar Millard, Frank S Nugent
  • Genres: Drama, Film-Noir, Crime
  • Actors: Robert Mitchum, Jean Simmons, Mona Freeman, Herbert Marshall

One night, Beverly Hills ambulance driver Frank Jessup and his partner Bill are called to the cliffside estate of Charles and Catherine Tremayne. By the time they arrive, Catherine has already been treated for gas inhalation, which the police believe occurred accidentally, but which the wealthy Catherine suspects was deliberate. As he is leaving the house, Frank notices Catherine’s beautiful English stepdaughter Diane playing a melancholy piano piece and assures her that her stepmother will be fine. When Diane becomes hysterical, Frank slaps her face to calm her. Confused, she slaps him back, then apologizes. Later, after getting off work, Frank goes to a nearby diner, unaware that Diane is following him in her sports car. In the diner, Frank tries to call his girl friend, Mary Wilton, a hospital receptionist, but gets no answer. Diane then comes in and strikes up a flirtatious conversation with him. When Mary finally calls him, Frank turns down her dinner invitation, claiming that he is too tired. Frank takes Diane out, and over dinner, she tells him that her father is a well-respected novelist but has not finished a book since her mother’s death during the war. Diane then asks Frank, a former race car driver who dreams of owning his own garage, about Mary, and he reveals that Mary has been saving her money to help him. The next day, Diane invites Mary to lunch and, while pretending that she wants to contribute to Frank’s garage fund, lets her know that he spent the evening with her. Seeing through Diane’s tactics, Mary rejects her offer but admits that her faith in Frank is shaken. That night, Mary is about to go out with Frank when he lies again about his date with Diane.

To help Diane, Vance hires Fred Barrett, a renowned defense lawyer. Just before the trial is to start, Fred convinces Frank and Diane to marry so that he can propose that Diane’s suitcase was in Frank’s room because they were planning to elope. During the trial, Barrett skillfully deflates expert testimony regarding the car’s transmission and steering mechanism, which appears to have been tampered with, and paints Frank and Diane as innocent lovebirds. Frank and Diane are acquitted, but once back at the estate, Frank tells Diane he is divorcing her. Diane finally talks about the jealousy and loneliness she felt when her father married Catherine and the grief she suffered upon seeing their crushed bodies. Despite Diane’s remorse, Frank insists he is returning to Mary. After Diane bets Frank her sports car that Mary will not take him back, Frank goes to Mary, who rejects him in favor of Bill. Diane, meanwhile, visits Barrett’s office and insists on confessing to the murders, detailing how she asked an unsuspecting Frank to explain the car’s transmission. Reminding Diane about the double jeopardy rule, Barrett tears up the confession. Upon returning home, Diane finds Frank packing for Mexico and asks if she can go, too. Frank says no, but agrees to let her drive him to the bus station. After Frank gets in, Diane shifts into reverse, jams her foot on the gas pedal and sends the car over the cliff.

She Wore a Yellow Ribbon

  • Directors: John Ford
  • Producers: Merian C Cooper, Lowell J Farrell, John Ford
  • Writers: James Warner Bellah, Frank S Nugent, Laurence Stallings
  • Genres: Western
  • Actors: John Wayne, Joanne Dru, John Agar, Victor McLaglen, Ben Johnson, Harry Carey Jr

On the verge of his retirement at Fort Starke, a one-troop cavalry post, the aging US Cavalry Capt. Nathan Cutting Brittles (John Wayne) is given one last patrol, to take his troop and deal with a breakout from the reservation by the Cheyenne and Arapaho following the defeat of George Armstrong Custer. His task is complicated by being forced at the same time to deliver his commanding officer’s wife and niece, Abby Allshard (Mildred Natwick) and Olivia Dandridge (Joanne Dru)), to an east-bound stage, and by the need to avoid a new Indian war. His troop officers, 1st Lt. Cohill (John Agar) and 2nd Lt. Pennell (Harry Carey, Jr.) meanwhile vie for the affections of Miss Dandridge while uneasily anticipating the retirement of their captain and mentor. Rounding out the cast are Capt. Brittles’ chief scout, Sgt. Tyree (Ben Johnson), a one-time Confederate cavalry officer; his First Sergeant, Quincannon (Victor McLaglen); and Major Allshard (George O’Brien), long-time friend and C.O.

After apparently failing in both missions, Capt. Brittles returns with the troop to Fort Starke to retire. His lieutenants continue the mission in the field, joined by Capt. Brittles after “quitting the post and the Army”. Unwilling to see more lives needlessly taken, Capt. Brittles takes it upon himself to try to make peace with Chief Pony That Walks (Chief John Big Tree). When that too fails, he devises a risky stratagem to avoid a bloody war.

The Searchers

  • Directors: John Ford
  • Producers: C V Whitney
  • Writers: Alan Le May, Frank S Nugent
  • Genres: Adventure, Drama, Western
  • Actors: John Wayne, Jeffrey Hunter, Natalie Wood, Ward Bond, Vera Miles

The year is 1868. Ethan Edwards (John Wayne) returns from the American Civil War, in which he fought for the Confederacy, to the home of his brother Aaron (Walter Coy) in rural northern Texas. Despite hints and supposition that Ethan has been up to no good, the movie’s early scenes never explicitly frame Ethan for wrongdoing. However, Ranger Captain Clayton (Ward Bond), who is also the local preacher, dourly observes, after Ethan refuses to take an oath of allegiance to the Texas Rangers (“no need to, wouldn’t be legal anyway”) “you fit a lot of [wanted poster] descriptions.” Ethan has a medal that he gives to his niece Debbie (Lana Wood), which suggests he has been in Mexico during the period of the Emperor Maximilian. He also gives Aaron two pouches of freshly minted Double Eagle $20 dollar gold pieces to help with the ranch. Martha and Aaron wonder, but do not ask, where they came from. Shortly after his arrival, a Comanche raid leaves his brother and sister-in-law Martha (Dorothy Jordan), his nephew, Ben (Robert Lyden), all dead, and his two nieces, Lucy (Pippa Scott) and Debbie, abducted, and the family homestead burned down.

After the funeral, a group led by Captain Clayton goes in search of the raiding party. When they discover the location of the encampment, Ethan wants to attack immediately, before daylight. Clayton points out to Ethan that the Comanche generally kill their hostages at the first notice of a raid, which is something that Ethan already knows. This is the first sign that Ethan is willing not to bring the girls back alive. Captain Clayton gives the order that they will sneak in easy and scare off the band’s horses. By the time they get to the encampment the Indians are gone. The Rangers are then caught in a pincer movement trap and have to make a run for the river. As they cross the river, one of the group, Nesby (William Steele), is wounded. The Rangers take up a defensive position using the river as a buffer, and they manage to repel the attack. The Indians retreat. When Ethan attempts to kill one more Comanche, Clayton stops him by knocking his rifle barrel down. This enrages Ethan who says that from now on he will do the job by himself. Captain Clayton decides that they are too few to continue and must get Nesby back home to treat his wound.

Eventually Ethan, Martin, and the Texas Rangers find Debbie again. Martin kills Scar and Ethan scalps the dead chief. Martin tries to prevent Ethan from killing Debbie, but it is Ethan himself who realizes how close he has come to destroying the last link to his family and how, in the act of scalping Scar, he himself has become what he hated so much. Instead of killing Debbie, he lifts her in his arms just as he did when she was a child. Ethan brings Debbie to the safety of friends and then walks away. The film, which opened with a near-identical shot of another doorway, slowly revealing the film’s landscape, finishes with a reversal: the film’s players enter the darkness within the doorway, and the door closes, just before the end title, leaving Ethan isolated outside where he turns and wanders away into the wilderness.