Toy Story 3

  • Directors: Lee Unkrich
  • Producers: Darla K Anderson, Executive Producer, John Lasseter
  • Writers: Screenplay, Michael Arndt, Treatment, John Lasseter, Andrew Stanton
  • Genres: Animation, Adventure, Comedy, Family
  • Actors: Tom Hanks, Tim Allen, Joan Cusack, John Ratzenberger, Wallace Shawn, Don Rickles, Estelle Harris, Ned Beatty, Michael Keaton, Jodi Benson, Blake Clark, Timothy Dalton, John Morris, Laurie Metcalf, Bonnie Hunt, Jeff Garlin, Whoopi Goldberg, Kristen Schaal

Andy is departing for college, and his toys, including Woody (Tom Hanks), Buzz and (Tim Allen), are going to be put in the attic. Before they can be put in the attic, they are accidentally thrown away and are picked up by the garbage men. The toys find themselves at a local day-care center, where they must try to survive the playful but careless pre-school children. Woody attempts to save his friends and find themselves a new home, but matters are further complicated when Buzz is damaged during an escape attempt. The toys try to reset Buzz, but end up causing him to revert to a Spanish version of his delusions of being a space ranger, much to Jessie’s delight and the other toys’ discomfort.[2][3]

A Bug s Life

  • Directors: John Lasseter, Andrew Stanton
  • Producers: Darla K Anderson, John Lasseter
  • Writers: Story, Joe Ranft, Additional Story, Gefwee Boedoe, Jason Katz, Jorgen Klubien, Robert Lence, David Reynolds Screenplay, Andrew Stanton, Don McEnery, Bob Shaw
  • Genres: Family, Animation, Comedy, Adventure
  • Actors: Dave Foley, Kevin Spacey, Julia Louis Dreyfus, Denis Leary, Phyllis Diller, Joe Ranft, David Hyde Pierce, Brad Garrett, Richard Kind, Bonnie Hunt, Jonathan Harris, Hayden Panettiere, Madeline Kahn, Roddy McDowall, Michael McShane, John Ratzenberger, Ashley Tisdale

A colony of ants on a small island are working to gather enough food to satisfy the extortion demands of a gang of tough grasshoppers who visit every growing season. One ant, Flik, is an inventor whose creations usually do more harm than good. While trying out a mechanical harvester, he accidentally knocks the pile of food into a stream just before the grasshoppers arrive. Their leader, Hopper, gives the ants the rest of the season to make good on what they owe, but orders a double ration of food after Flik stands up to him in defense of the Queen’s younger daughter, Dot. Flik is called before the colony’s royal council and admonished severely for his actions. Princess Atta, Dot’s older sister and the eventual successor of the current queen, is unsure about how to deal with him. When Flik suggests that he might try to recruit some “warrior bugs” to fight the grasshoppers, the council sees this idea as a chance to get him removed and enthusiastically approves. Reaching the insect “city,” built from discarded boxes and cans, Flik encounters a troupe of unemployed circus bugs whose latest performance has just ended in disaster. He mistakes them for the warriors he needs; at the same time; they believe him to be a talent scout who wants to book their act on the island. They return to the colony, much to Atta’s surprise, and are immediately greeted as heroes who can put an end to the threat posed by Hopper’s gang. Atta soon becomes suspicious after almost overhearing a conversation in which both Flik and the troupe realize their mistakes. However, after they band together to save Dot from a hungry bird, she begins to think that the troupe may be able to stop the grasshoppers after all. She also starts to fall in love with Flik.

Dot overhears the gang’s plans to kill the queen once they have all the food, and she rushes to catch up with Flik, who has left the colony with the troupe. She persuades them to return and put the bird plan into action, with help from her and some of the other young ants. The model scares the gang, and they almost retreat until P. T. intervenes and inadvertently incinerates it. Enraged, Hopper sends his crazed associate Thumper to severely injure Flik, but Flik is still able to stand up and rally the other ants, saying that the grasshoppers depend on the extorted food for their own survival. The entire colony swarms against the gang, forcing them to leave but Hopper, now obsessed with killing Flik. In his rage, he grabs Flik and flies off, evading the troupe until Atta intervenes and rescues Flik. They lure him towards the bird’s nest and get separated. Hopper finds Flik and they fight until the bird emerges. Hopper, believing this bird to be another model, taunts Flik until it picks him up and feeds him to its chicks. The ants welcome Flik back into the colony and adopt his harvester to speed up grain collection. Passing her princess crown to Dot, Atta is crowned the new queen and chooses Flik as her mate. Before the troupe can leave, they must wait for one member, Heimlich the caterpillar, to emerge from the chrysalis in which he has encased himself. He pops out with a tiny pair of butterfly wings, far too small to lift him off the ground, and the troupe (with Molt, acting as a road crew assistant) departs with the colony’s thanks.

Monsters Inc

  • Directors: Peter Docter, Co Director, Lee Unkrich, David Silverman
  • Producers: Darla K Anderson, Executive Producer, John Lasseter, Andrew Stanton, Associate Producer, Kori Rae
  • Writers: Story, Jill Culton, Peter Docter, Ralph Eggleston, Jeff Pidgeon, Screenplay, Andrew Stanton, Daniel Gerson, Additional Screenplay, Robert L Baird, Rhett Reese, Jonathan Roberts
  • Genres: Animation, Comedy, Family, Fantasy
  • Actors: John Goodman, Billy Crystal, Steve Buscemi, James Coburn, Jennifer Tilly

Monsters, Inc. is the city of Monstropolis’ power company. Monsters, Inc. sends its many monster employees, skilled in scare techniques, to human children’s bedrooms around the world at their local bedtime to scare them, through individually-loaded and activated teleportation doors set up on the “scare floor”, each of which precisely matches a closet door in the individual child’s bedroom. The screams of the suddenly-awakened tots, captured through the portals, generate electric power for the monster world. It is understood, however, that the children themselves are toxic, and the company goes to great lengths to prevent contact with them; should a monster be touched by a child, or simply their belongings, the Child Detection Agency (CDA) is immediately alerted to sanitize the affected being. With increasing numbers of children becoming desensitized by mass media, Monsters, Inc. CEO Henry J. Waternoose is finding it increasingly difficult to harvest enough scream to meet the power demands of Monstropolis, as their energy crisis looms.

One evening, James P. Sullivan (“Sulley”), Monsters, Inc.’s top scarer, finds a loaded door on the scare floor after hours – in violation of policy. Peering inside, the child’s room appears empty, but Sulley finds to his horror that a human girl has followed him through the door, thinking him to be a giant kitty. Terrified of contamination, he tries to return her, but is forced to hide when Randall Boggs, a competitive co-scarer, emerges from the child’s room and surreptitiously returns her door to an unseen door vault. Sulley quickly hides the child and gets hold of his work-partner and pal Mike Wazowski, to figure out the situation. Together at Sulley’s home, they discover that being touched by the child is not harmful at all, and that when she laughs, surrounding electrical power surges to unusually high levels. Sulley nicknames the child “Boo” and becomes her caretaker until they can get her back home.

Near the end of the credits, it humorously states: “No monsters were used in the making of this film.”