The Ghost Writer

  • Directors: Roman Polanski
  • Producers: Roman Polanski, Robert Benmussa, Alain Sarde, Patrick Wachsberger
  • Writers: Roman Polanski, Robert Harris
  • Genres: Drama, Mystery, Thriller
  • Actors: Pierce Brosnan, Ewan McGregor, Olivia Williams, Kim Cattrall

The plot of the film is based on the novel.[3]

When a successful British ghostwriter, The Ghost, agrees to complete the memoirs of former British Prime Minister Adam Lang, his agent assures him it’s the opportunity of a lifetime. But the project seems doomed from the start—not least because his predecessor on the project, Lang’s long-term aide, died in an unfortunate accident. The Ghost flies out to work on the project, in the middle of winter, to an oceanfront house on an island off the U.S. Eastern seaboard. But the day after he arrives, a former British cabinet minister accuses Lang of authorizing the illegal seizure of suspected terrorists and handing them over for torture by the CIA—a war crime. The controversy brings reporters and protesters swarming to the island mansion where Lang is staying with his wife, Ruth, and his personal assistant (and mistress), Amelia. As The Ghost works, he begins to uncover clues suggesting his predecessor may have stumbled on a dark secret linking Lang to the CIA—and that somehow this information is hidden in the manuscript he left behind.

Mulholland Dr

  • Directors: David Lynch
  • Producers: Pierre Edelman, Alain Sarde, Mary Sweeney
  • Writers: David Lynch
  • Genres: Drama, Fantasy, Mystery, Thriller
  • Actors: Naomi Watts, Laura Elena Harring, Justin Theroux, Ann Miller

The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Laura Elena Harring) escapes imminent murder when she is the sole survivor of a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment which an older, red-headed woman has recently vacated. An aspiring actress named Betty Elms (Naomi Watts) arrives from Deep River, Ontario, and takes a taxi to the same apartment, where she finds the dark-haired woman confused, not knowing her own name. The dark-haired woman assumes the name “Rita” when she sees a poster for the film Gilda (1946), starring Rita Hayworth. Betty decides to assist her in discovering her identity, and they look in Rita’s purse where they find a large amount of money and an unusual blue key.

A man in a diner called Winkies tells his companion about a nightmare in which he dreamt there was a horrible figure behind the diner. When they investigate, the figure appears, causing the man with the nightmare to collapse in fright. Later, a bungling hit man attempts to steal a book full of phone numbers and leaves three people dead. A Hollywood director named Adam Kesher (Justin Theroux) has his film commandeered by apparent mobsters, who insist he casts an unknown actress named Camilla Rhodes (Melissa George) as the lead in his film. After he resists, he returns home to find his wife having an affair and is thrown out of his house. He later learns that his bank has closed his line of credit and he is broke. He agrees to meet a mysterious figure called The Cowboy, who urges him to cast Camilla Rhodes for his own good.

Diane meets with the bungling hit man at Winkies, where she gives him Camilla’s photo and a large amount of money, and they are served by a waitress named Betty. The hit man tells Diane that when the job is done, she will find a blue key. Diane looks up to see the man who had the nightmare standing at the counter. Back at her apartment, in view of the key, she is terrorized by hallucinations. She runs screaming to her bed where she shoots herself.

The Pianist

  • Directors: Roman Polanski
  • Producers: Roman Polanski, Robert Benmussa, Alain Sarde, Gene Gutowski
  • Writers: Ronald Harwood
  • Genres: Biography, Drama, Music, War
  • Actors: Adrien Brody, Thomas Kretschmann

Wladyslaw Szpilman, a famous Polish Jewish pianist working for Warsaw Radio, sees his whole world collapse with the outbreak of World War II and the invasion of Poland on September 1, 1939. After the radio station is rocked by explosions from German bombing, Szpilman goes home and learns that Great Britain and France have declared war on Nazi Germany. He and his family rejoice, believing the war will end quickly.

When the Nazis’ armed SS organization occupies Warsaw after the regular army passes on, living conditions for the Jewish population gradually deteriorate as their rights are slowly eroded: first they are allowed only a limited amount of money per family, then they must wear armbands imprinted with the blue Star of David to identify themselves, and eventually, late in 1940, they are all forced into the squalid Warsaw Ghetto. There, they face hunger, persecution and humiliation from the SS and the ever present fear of death or torture. The Nazis became increasingly sadistic and the family experiences and/or witnesses many horrors inflicted on their neighbours.

Before long, the family, along with thousands of others, are rounded up for deportation by train to the extermination facility at Treblinka. Szpilman sees his brother reading from Shakespeare’s Merchant of Venice. He asks him to read aloud, and he reads: “If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? If you wrong us, shall we not revenge?” Szpilman remarks that it is an appropriate play for their situation. His brother responds, “That’s why I brought it.” As the Jews are being forced onto cattle cars, Szpilman is saved at the last moment by one of the Jewish Ghetto Police, who happens to be a family friend.

As newly-freed prisoners of a concentration camp walk home, they pass a fenced-in enclosure of German prisoners of war, guarded by Soviet soldiers. A German prisoner, who turns out to be Hosenfeld, calls out to the passing ex-prisoners. Hosenfeld begs one of them, a violinist of Szpilman’s acquaintance, to contact Szpilman to free him. Szpilman, who has gone back to playing live on Warsaw Radio, arrives at the site too late; all the prisoners have been removed along with any trace of the stockade. In the film’s final scene, Szpilman triumphantly performs Chopin’s Grand Polonaise brillante in E flat major to a large audience in Warsaw. Title cards shown just before the end credits reveal that Szpilman continued to live in Warsaw and died in 2000, but that Hosenfeld died in 1952 in a Soviet prisoner-of-war camp.