The Dark Knight

  • Directors: Christopher Nolan
  • Producers: Christopher Nolan, Charles Roven, Emma Thomas
  • Writers: Screenplay, Christopher Nolan, Jonathan Nolan, Story, David S Goyer, Christopher Nolan, Comic Book, Bob Kane, Bill Finger
  • Genres: Action, Crime, Thriller
  • Actors: Christian Bale, Michael Caine, Heath Ledger, Aaron Eckhart, Gary Oldman, Maggie Gyllenhaal, Morgan Freeman

In Gotham City, the Joker robs a mob bank with his accomplices, whom he tricks into killing one another, ultimately killing the last one himself. That night, Batman and Lieutenant James Gordon contemplate including new district attorney Harvey Dent in their plan to eradicate the mob. However, Batman wonders if Dent can be trusted. Bruce runs into Rachel Dawes and Dent, who are dating, and after talking to Dent, he realizes Dent’s sincerity and decides to host a fundraiser for him. Mob bosses Sal Maroni, Gambol, and the Chechen meet with other underworld gangsters to discuss both Batman and Dent, who have been cracking down on the mobster’s operations. Lau, a Chinese mafia accountant, informs them that he has hidden their money and fled to Hong Kong in an attempt to preempt Gordon’s plan to seize the mobsters’ funds and hide from Dent’s jurisdiction.

In Hong Kong, Batman captures Lau and delivers him to the Gotham City police, where Lau agrees to testify against the mob. In retaliation, the mobsters hire the Joker to kill Batman and Lau. The Joker issues an ultimatum to Gotham, stating that people will die each day until Batman reveals his identity. When Commissioner Gillian B. Loeb and Judge Surillo are murdered by corrupt police, the public blames Batman, prompting Bruce to decide to reveal his identity. Before Bruce can turn himself in, Dent announces at a press conference that he himself is Batman and is arrested as part of a plan to draw the Joker out of hiding. The Joker attempts to ambush the police convoy carrying Dent, but Batman and Gordon intervene and capture him. In recognition of his actions, Gordon is appointed the new police commissioner.

The Joker’s plan to destroy the ferries fails after the passengers on both decide not to destroy each other. Batman locates and subdues the Joker, preventing him from destroying both ferries. When Batman refuses to kill the Joker, the Joker acknowledges that Batman is truly incorruptible, but that Dent was not, and that he has unleashed Dent upon the city. Leaving the Joker for the SWAT team, Batman searches for Dent. At the remains of the building where Rachel died, Batman finds Dent holding Gordon and his family at gunpoint. Dent judges the innocence of Batman, himself, and Gordon’s son through three coin tosses. As the result of the first two flips, he shoots Batman in the abdomen and spares himself. Before Dent can determine the boy’s fate, Batman, who was wearing body armor, tackles him over the side of the building. Gordon’s son is saved, but Dent and Batman fall to the ground below resulting in Dent’s death.[5] Knowing that the citizens of Gotham will lose hope and all morale if Dent’s rampage becomes public news, Batman convinces Gordon to hold him responsible for the murders. Gordon smashes the Bat-Signal, and a manhunt for Batman begins.

Pulp Fiction

  • Directors: Quentin Tarantino
  • Producers: Lawrence Bender
  • Writers: Quentin Tarantino, Roger Avary
  • Genres: Crime, Drama, Thriller
  • Actors: John Travolta, Samuel L Jackson, Uma Thurman, Bruce Willis, Harvey Keitel, Tim Roth, Amanda Plummer, Maria de Medeiros, Ving Rhames, Eric Stoltz, Rosanna Arquette, Christopher Walken

“Pumpkin” (Tim Roth) and “Honey Bunny” (Amanda Plummer) are having breakfast in a diner. They decide to rob it after realizing they could make money off not just the business but the customers as well, as occurred during their previous heist. Moments after they initiate the hold-up, the scene breaks off and the title credits roll.

As Jules Winnfield (Samuel L. Jackson) drives, Vincent Vega (John Travolta) talks about his experiences in Europe, from where he has just returned—the hash bars in Amsterdam; the French McDonald’s and its “Royale with Cheese.” The dress-suited pair are on their way to retrieve a briefcase from Brett (Frank Whaley), who has transgressed against their boss, gangster Marsellus Wallace. Jules tells Vincent how Marsellus had someone thrown off a fourth-floor balcony for giving his wife a foot massage. Vincent says that Marsellus has asked him to escort his wife while Marsellus is out of town. They conclude their banter and “get into character,” which involves executing Brett in dramatic fashion after Jules recites a baleful “biblical” pronouncement.

In a virtually empty cocktail lounge, aging prizefighter Butch Coolidge (Bruce Willis) accepts a large sum of money from Marsellus (Ving Rhames), agreeing to take a dive in his upcoming match. Butch and Vincent briefly cross paths as Vincent and Jules—now inexplicably dressed in T-shirts and shorts—arrive to deliver the briefcase. The next day, Vincent drops by the house of Lance (Eric Stoltz) and Jody (Rosanna Arquette) to score some high-grade heroin. He shoots up before driving over to meet Mrs. Mia Wallace (Uma Thurman) and take her out. They head to Jack Rabbit Slim’s, a 1950s-themed restaurant staffed by lookalikes of the decade’s pop icons. Mia recounts her experience as an actress in a failed television pilot, “Fox Force Five.”

As Jules and Vincent eat breakfast in a Hawthorne coffee shop the discussion returns to Jules’s decision to retire. In a brief cutaway, we see “Pumpkin” and “Honey Bunny” shortly before they initiate the hold-up from the movie’s first scene. While Vincent is in the bathroom, the hold-up commences. “Pumpkin” demands all of the patrons’ valuables, including Jules’s mysterious case. Jules surprises “Pumpkin” (whom he calls “Ringo”), holding him at gunpoint. “Honey Bunny,” hysterical, trains her gun on Jules. Vincent emerges from the restroom with his gun trained on her, creating a Mexican standoff. Reprising his pseudo-biblical passage, Jules expresses his ambivalence about his life of crime. As his first act of redemption, he allows the two robbers to take the cash they have stolen and leave, pondering how they were spared and leaving the briefcase to be returned to Marsellus, finishing the hitman’s final job for his boss.

The Godfather: Part II

  • Directors: Francis Ford Coppola
  • Producers: Francis Ford Coppola
  • Writers: Novel, Mario Puzo, Screenplay, Mario Puzo, Francis Ford Coppola
  • Genres: Crime, Drama, Thriller
  • Actors: Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale, Talia Shire, Lee Strasberg

The Godfather Part II presents two parallel storylines. One involves Mafia chief Michael Corleone following the events of the first movie from 1958 to 1963; the other is a series of flashbacks following his father, Vito Corleone, from his childhood in Sicily (1901) to his founding of the criminal Corleone Family in New York City while still a young man (1917–1925).

In 1958, Michael Corleone, Godfather of the Corleone Family, deals with various business and family problems at his Lake Tahoe, Nevada compound during an elaborate party celebrating his son’s First Communion. He meets with Nevada Senator Pat Geary, who despises the Corleones, but has shown up with his wife to accept a large endowment to the state university. Senator Geary demands a grossly exaggerated price for a new gaming license and a monthly payment of 5% of the gross profits from all of the Corleone Family’s Nevada gaming interests, to which Michael responds with a counter-offer of “nothing … not even the fee for the gaming license, which I would appreciate if you would put up personally.”

Michael also deals with his sister Connie, who, although recently divorced, is planning to marry a man with no obvious means of support, and of whom Michael disapproves. He also talks with Johnny Ola, the right hand man of Jewish gangster Hyman Roth, who is supporting Michael’s move into the gambling industry. Finally, Michael meets with Frank “Five Angels” Pentangeli, who took over Corleone caporegime Peter Clemenza’s territory after his death, and now has problems with the Rosato Brothers, who are backed by Roth. Michael refuses to allow Pentangeli to kill the Rosatos, due to his desire to prevent interruption of his business with Roth. Pentangeli leaves abruptly, after telling Michael “your father did business with Hyman Roth, your father respected Hyman Roth, but your father never trusted Hyman Roth.”

The film ends with a final flashback depicting Vito and a young Michael leaving Corleone by train, and Michael sitting in the Lake Tahoe compound, alone in silence.

The Godfather

  • Directors: Francis Ford Coppola
  • Producers: Albert S Ruddy
  • Writers: Novel, Mario Puzo, Screenplay, Mario Puzo, Francis Ford Coppola, Robert Towne,
  • Genres: Crime, Drama, Thriller
  • Actors: Marlon Brando, Al Pacino, James Caan, Richard S Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, Diane Keaton

In late summer 1945, guests are gathered for the wedding reception of Don Vito Corleone’s daughter Connie and Carlo Rizzi. Vito (Marlon Brando), the head of the Corleone Mafia family – who is known to friends and associates as “Godfather” – and Tom Hagen (Robert Duvall), the Corleone family lawyer and consigliere (counselor), are hearing requests for favors because “no Sicilian can refuse a request on his daughter’s wedding day”. Meanwhile, the Don’s youngest son Michael (Al Pacino), a decorated Marine war hero returning from World War II service, tells his girlfriend Kay Adams (Diane Keaton) anecdotes about his family, attempting to inform her about his father’s criminal life; he reassures her that he is different from his family. Among depicting the marriage of Connie and Carlo, the wedding scene also serves as a critical exposition scene for the remainder of the film, as Michael figuratively introduces the main characters to Kay.

Among the guests at the celebration is the famous singer Johnny Fontane (Al Martino), Corleone’s godson, who has come from Hollywood to petition Vito’s help in landing a movie role that will revitalize his flagging career. Jack Woltz (John Marley), the head of the studio, denies Fontane the part, but Don Corleone explains to Johnny: “I’m gonna make him an offer he can’t refuse.” Hagen is dispatched to California to fix the problem, but Woltz angrily tells him that he will never cast Fontane in the role, for which he is perfect and will make him an even bigger star, because Fontane seduced and “ruined” a starlet that Woltz favored. Woltz is persuaded otherwise, however, when he wakes up early the next morning and feels something wet in his bed. He pulls back the sheets, and finds himself in a pool of blood with the severed head of his prized $600,000 stud horse, Khartoum, in the bed with him, and screams in horror.[5]

The book’s ending differs from the movie: whereas in the film Kay suddenly realizes that Michael has become “like his family”, the drama is toned down in the book. She leaves Michael and goes to stay with her parents. When Tom Hagen visits her there, he lets her in on family secrets for which, according to him, he would be killed should Michael find out what he has revealed. This is then followed by Kay’s visit to the church, where she prays for her husband’s soul.

Star Wars: Episode VI – Return of the Jedi

  • Directors: Richard Marquand
  • Producers: Howard Kazanjian, George Lucas, Robert Watts, Rick McCallum,
  • Writers: Screenplay, George Lucas, Lawrence Kasdan, Story, George Lucas
  • Genres: Action, Adventure, Fantasy, Sci-Fi, Thriller
  • Actors: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels

Luke Skywalker, having fashioned himself as a Jedi Knight, initiates a plan to rescue the frozen Han Solo from the vile crime lord Jabba the Hutt. Princess Leia infiltrates Jabba’s palace on Tatooine disguised as a bounty hunter and releases Han from his carbonite prison, but is caught and forced to serve as Jabba’s slave girl. Luke arrives the next morning and allows himself to be captured. Jabba sentences Luke and Han to be fed to the monstrous Sarlacc. As he is about to be put to death, Luke breaks free and a large battle erupts; in the ensuing chaos, Leia strangles Jabba to death with her slave chains, Han inadvertently knocks Boba Fett, the bounty hunter who captured him, into the gaping maw of the Sarlacc, and Luke destroys Jabba’s sail barge, escaping with his allies. As Han and Leia rendezvous with the other Rebels, Luke returns to Dagobah where he finds that Yoda is dying. With his last breaths, Yoda confirms that the evil Darth Vader is Luke’s father, Anakin Skywalker, and that Luke must confront him again to become a true Jedi Knight. He and the spirit of Obi-Wan Kenobi also reveal that Luke has a twin sister, whom Luke deduces to be Leia.

Back on Endor, the strike team finally destroys the shield generator, and the Rebel fleet, after a fierce battle in which they manage to destroy the Imperial flagship the Executor, the Imperial fleet breaks up and an opportunity to launch a final assault on the Death Star finally arises. Lando leads the remaining ships into the station and fires at the main reactor, causing it to collapse. Luke escapes on an Imperial shuttle with his father’s body before the Death Star explodes, and Lando escapes in the Millennium Falcon. On Endor, Leia reveals to Han that Luke is her brother, and they share a kiss. That evening, Luke returns to Endor and cremates his father’s armor on a funeral pyre. The entire galaxy celebrates the fall of the Empire. During the Rebels’ own celebration on Endor, Luke catches sight of the spiritual figures of Obi-Wan, Yoda, and his redeemed father, who watch over them with pride.

Happy Endings

  • Directors: Don Roos
  • Producers: Michael Paseornek, Holly Wiersma
  • Writers: Don Roos
  • Genres: Comedy, Drama, Music, Thriller
  • Actors: Lisa Kudrow, Steve Coogan, Jesse Bradford, Bobby Cannavale, Maggie Gyllenhaal, Jason Ritter, Tom Arnold

The film follows the lives of a diverse group of mostly middle-class Americans through the emotional ups and downs in their flawed yet very human lives, each loosely connected to each other through a restaurant.

The film follows three interconnected stories. In the first, a woman (Lisa Kudrow) reluctantly agrees to work with a would-be young filmmaker (Jesse Bradford) in order to locate the now grown son she secretly gave up for adoption after becoming pregnant from her stepbrother (Steve Coogan) (who is later found to be gay) 19 years earlier.

In the second story arc, her stepbrother and his domestic partner (David Sutcliffe) are deciding whether or not to confront their friends, a lesbian couple (Laura Dern and Sarah Clarke), regarding the paternity of their son.

And in the third, a young man (Jason Ritter) is involved with a band and trying to keep his father (Tom Arnold) from learning that he is gay, while also dealing with the seemingly gold-digging woman (Maggie Gyllenhaal) who inserts herself into their lives.

No Country for Old Men

  • Directors: Joel Coen, Ethan Coen
  • Producers: Joel Coen, Ethan Coen, Scott Rudin
  • Writers: Novel, Cormac McCarthy, Screenplay, Joel Coen, Ethan Coen
  • Genres: Crime, Drama, Thriller, Western
  • Actors: Tommy Lee Jones, Javier Bardem, Josh Brolin, Woody Harrelson, Kelly Macdonald

West Texas in June 1980 is desolate, wide-open country, and Ed Tom Bell (Tommy Lee Jones) laments the increasing violence in a region where he, like his late father before him, has risen to the office of sheriff.

Anton Chigurh (Javier Bardem) strangles a sheriff’s deputy with his own handcuffs, steals his patrol car, pulls over another vehicle and murders the driver with a cattle gun.

Llewelyn Moss (Josh Brolin), hunting near the Rio Grande, discovers a group of corpses, vehicles and a lone dying Mexican, the aftermath of a heroin deal gone awry. He also finds two million dollars in a satchel not far from the massacre and drives home. Moss cannot sleep and returns with water for the dying man, but he’s set upon by a pair in a jeep who chase him into the river. Moss barely escapes, his boots lost and his truck abandoned.

Chigurh tours the crime scene with a pair of well-dressed gangsters. He grabs Moss’s truck’s registration plate, receives their transponder, and kills them.

Moss fears the money’s owners will trace his truck in the morning and insists that his wife Carla Jean (Kelly Macdonald) stay with her mother in Odessa, Texas. Chigurh arrives as predicted and breaks into the Moss trailer using his cattle gun, finding nothing of use but a bottle of milk and the latest phone bill.

Now retired, Bell shares with his wife Loretta (Tess Harper) two disquieting dreams. In the first, he lost “some money” that his late father had given him; in the second, his father rode past him on a snowy mountain pass, going ahead to make a fire in the surrounding cold darkness. Whenever Bell got there, he knew his father would be waiting.

Last Man Standing

  • Directors: Walter Hill
  • Producers: Walter Hill, Arthur M Sarkissian
  • Writers: Ryuzo Kikushima, Akira Kurosawa, Walter Hill
  • Genres: Action, Crime, Drama, Thriller
  • Actors: Bruce Willis, Bruce Dern, William Sanderson, Christopher Walken, David Patrick Kelly

In Prohibition Era Texas, a mysterious character (later identifying himself as “John Smith”) drives into Jericho, a town mere miles from the Mexican border. Gang violence between the resident Irish gang (headed by Doyle) and Italian gang (headed by Strozzi) has decimated the town and left few legitimate citizens remaining, aside from the bartender Joe Monday, an undertaker and a corrupt sheriff, all of whom make their living by catering to Jericho’s criminal elements. Smith immediately establishes a reputation by outdrawing and killing Doyle’s top shooter, a brazen act that gets the attention of both gangs. Smith promptly hires himself out to Strozzi’s gang for what Strozzi predicts is an upcoming gang war following the impending dissolution of an uneasy ceasefire. He dispatches Smith to oversee an operation where the corrupt Mexican soldiers guarding Doyle’s illegal alcohol smuggling change alliances mid-operation and murder Doyle’s men, stealing the product and trucks in the process.

Amidst constant bickering and accusations by Strozzi’s hotheaded cousin Giorgio and unwanted attempts at investigating his past, Smith quits Strozzi’s gang. Doyle returns to Jericho and immediately asks Smith to join his gang, which Smith politely declines. Smith later tells Strozzi a rumor about the Mexican soldiers returning to Doyle’s ranks, forcing Strozzi to send Giorgio down to smooth things over. Later, Hickey (Christopher Walken) returns to Jericho and informed of the Mexican soldiers’ betrayal, travels to Mexico and ruthlessly guns down the soldiers, several of Strozzi’s men and an American police officer. Hickey leaves Giorgio alive as a hostage. An exchange is arranged between the two gangs, where Giorgio will be exchanged for money. At the swap, Hickey shoots Strozzi’s bagman, revealing the contents of the suitcase to be newspaper. When Doyle threatens to kill Giorgio unless Strozzi surrenders and leaves Jericho, Strozzi pulls out Felina, Doyle’s mistress whom he previously abducted and demands a clean exchange for Giorgio. The exchange is made and the two gangs scatter, leaving Smith standing alone over the discarded body of Strozzi’s bagman and newspaper blowing in the desert wind.

Two days later the Sheriff arrives at the church, informing Smith that Doyle has discovered the bartender’s complicity in Smith’s escape and will probably torture him to death to find him. Smith re-arms himself with a large bread-knife. The Sheriff gives him his dual 1911 Colt semi-automatic pistols instead. Smith goes back to the Red Bird Saloon, collects his hat and extra magazines then storms Doyle’s mansion, gunning down a dozen men before freeing the bartender. He mounts a tommy gun onto the shattered remains of the mansion, signaling Doyle and Hickey to meet him at Slim’s Roadhouse at sunset. In the final scene, Doyle, Hickey and Bob the Deputy meet Smith and the bartender. Doyle, happy with his victory over Strozzi, is despondent over the loss of Felina and begs Smith to tell him where to find her. The bartender promptly shoots Doyle and Smith shoots Bob before he can retaliate. Hickey raises his hands and asks if Smith is going to have the bartender shoot him too. The bartender lays his gun down and watches how Smith and Hickey will react. Hickey expresses no desire to die in Texas (“Chicago maybe”) before turning back on Smith. With lightning speed he quickdraws a pistol from his holster (just as he had done before when he killed the Border Patrol officer), but Smith is faster, and kills Hickey. With all the gangs dead, Smith slides holster’s his gun, steps into his car, and drives off into the sunset.