- Producers: Marin Karmitz
- Writers: Krzysztof Piesiewicz, Agnieszka Holland, Edward Zebrowski
- Genres: Drama, Music
- Actors: Juliette Binoche, Emmanuelle Riva, Florence Pernel
Julie, wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in the hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from the hospital, Julie closes up the house she lived in with her family and takes an apartment in Paris without telling anyone, or keeping any clothing or objects from her old life, except for a chandelier of blue beads that presumably belonged to her daughter.
For the remainder of the film, Julie disassociates herself from all past memories and distances herself from former friendships, as can be derived from a conversation she has with her mother who suffers from Alzheimer’s disease and believes Julie is her own sister Marie-France. She also destroys the score for her late husband’s last commissioned, though unfinished, work: a piece celebrating “the unity of Europe”, commissioned by the Council of Europe. Snatches of the music haunt her throughout the film.
She reluctantly befriends an exotic dancer who is having an affair with one of the neighbours and helps her when she needs moral support. Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face, including Olivier, a friend of the couple, also a composer and former assistant of Patrice’s at the conservatory, who is in love with her, and the fact that she is suspected to be the true author of her late husband’s music. Olivier appears in a TV interview announcing that he shall try to complete Patrice’s commission, Julie also discovers that her late husband was having an affair.
There is another interpretation however, and that is that the entire work was Julie’s composition. Olivier says that either she must accept his composition with all its roughness or she must allow people to know the truth about her composition i.e. that she was the person who originally composed it. In the final sequence, the Unity of Europe piece is played (which features chorus and a solo soprano singing Saint Paul’s 1 Corinthians 13 epistole in Greek), and images are seen of all the people Julie has affected by her actions.